My practice is centered on the instant, the gesture, and the simplicity of means. Paper and black felt-tip pen form the point of origin of my work. Their accessibility allows me to draw anywhere, at any time, in a state of immediacy. The line moves across the paper in a continuous flow, without preliminary sketching—fluid, uninterrupted, conducive to improvisation.
Everything begins with a circle — a primordial form, the matrix of an organic visual language.
From this point of origin, lines unfold in sinuous movements. They wind, curve, and evolve, giving rise to forms that are sometimes abstract, sometimes figurative. Characters, silhouettes, fragments of objects seem to emerge on their own as the line progresses.
My work is a search for balance between spontaneity and construction. I lose myself in the line and find myself again in the form.
Drawing becomes a space for inner dialogue: between control and release, between structure and freedom. Each piece is born from a simple, almost childlike gesture. Forms come together like pieces of a construction set. Negative space is as important as the filled areas. I seek rhythm, breath, a precise tension between elements.
At times, one form calls for others. Certain compositions find their full expression only through assemblage. Cut-out elements become mobile: I rotate them, slide them, and let them interact until a balance asserts itself. The final image emerges from this exploration, guided as much by intuition as by a search for formal harmony.
Black and white often provide a sufficient equilibrium. When I introduce color, it acts as an additional vibration. Each hue is carefully selected in a pursuit of formal and chromatic balance. I favor luminous, dynamic, sometimes contrasting tones in order to create visual tension. Each color functions like a note within a graphic symphony.
Recurring figures sometimes emerge through the process. Appearing without prior intention, they become familiar presences. They evolve, disappear, and reappear. These characters act as sensitive markers of my inner world.
Above all, my work is an attempt at reconnection: reclaiming the original freedom of drawing while constructing a coherent and evolving visual language.
Each creation is an invitation to explore a universe where the simplicity of forms meets the complexity of emotions. Through my works, I seek to reveal the joy of mysterious and abundant worlds—spaces where imagination knows no bounds.